Using an evening scene in Shonan in winter as the subject matter, the artist, as a person living in Shonan, depicts the beauty of the original Japanese landscape, which always fascinates with its serene, vivid, and pleasant color scheme in an era that seems to be changing incredibly rapidly, in his unique pointillist style.
About the technique
Influenced by the pointillism technique advocated by Seurat in the 1880s. He began his self-taught pointillism because he was attracted to the intellectual, cold and mechanical expression that gives an unforgettable impression once you see it. He juxtaposes acrylic painting materials on the canvas in dots with a fine brush tip without mixing colors, and mixes the colors on the viewer's retina, aiming to create an expression as if the work is completed in the viewer's visual perception. I try to express black (shadow) without using black and (light) without using white.