The subject of this painting is a seaside evening scene in Shonan in winter, and it is painted with a challenging brushstroke that changes the size of the dots more than before. In addition to the fine delicacy of the work, the style is abstract and easily impressionable.
About the Technique
Influenced by the pointillism technique advocated by Seurat in the 1880s, the artist's work has an intellectual, cold, and mechanical quality. He began his self-taught pointillism, attracted by its intellectual, cold, mechanical quality, which once seen, leaves an unforgettable impression. He juxtaposes acrylic painting materials on the canvas in dots with a fine brush tip without mixing colors, and mixes the colors on the viewer's retina, aiming to create an expression in which the work is completed in the viewer's visual perception. I try to express black (shadow) without using black and (light) without using white.