This work looks like a hibiscus, but depending on how you look at it, it could also look like an apple.
The colors in the background are not juxtaposed according to a rule, but rather according to the artist's senses, which may symbolize the artist's freedom of thought in contrast to the hibiscus, which he tried to depict in a more natural way.
The high density of dark green juxtaposed only at the outlines creates shadows and highlights the presence of the hibiscus.
The colors juxtaposed with the realistically drawn hibiscus create an effective color scheme that leaves the viewer with a cheerful, yet intelligent and delicate impression, without giving the mechanical and cold impression characteristic of pointillism.
About the technique.
This work is influenced by the pointillism technique advocated by Seurat in the 1880s. He is fascinated by this technique, which gives an impression that is both intellectual and coldly mechanical, and is hard to forget once you see it. By juxtaposing acrylic painting materials in dots on the canvas with a thin brush tip without mixing colors, and by mixing colors on the viewer's retina, he aims to create an expression that is complete in the sense of sight. I try to express black (shadow) without using black, and white (light) without using white.