1. Materials: Woodblock, paper, and acrylic board are used to create a shape and design with the smartphone in mind. Also, I am conscious of the vertical screen of landscape painting.
Concept: This work was inspired by landscape painting. The landscapes depicted in these paintings are man-made nature, which was the utopia envisioned by the people of the time. I took the idea and composition of these landscapes, added some modern elements, and adapted it to my own style, focusing on current issues, especially the extinction of species.
Technique: I use pen and watercolor. By placing animals, people, and buildings from various regions of the world like stickers in a single landscape painting, I emphasize the fact that this is an artificially created space. The addition of the kintsugi effect and the cracks in the screen suggest the fragility of both the real and virtual worlds.
Materials: Using wooden board, paper and acrylic board, I made a shape and design of smartphone. Also I wanted to create a vertically long rectangle like Shan Shui painting that inspired this artwork.
Concept: The object painted on Shan Shui is artificially created nature and it was an utopia for the people of China in around 11th century. Based on this idea of Shan Shui and its design, I created it on my own way adding contemporary elements and tried to aim attention at on-going problems such as the massive I created it on my own way adding contemporary elements and tried to aim attention at on-going problems such as the massive extinction of spieces.
Sticking animals, people and buildings of all around the world onto one Shan Shui world as if they were stickers, it emphasizes that it's an art form. Kintsugi effect and the cracks on the screen suggest the fragileness of both real world and virtual world. and virtual world.
