The Layers of Color series, begun in 2015, pursues paintings that are purely visual phenomena, at a point free from the structure of figurative motifs. This work is the first in 2022 and the 53rd in the series as a whole. The basic method of this series is to start from a place with no clear theme, message, motif, or plan, and to determine the picture that is considered complete (including its orientation) by layering and grinding acrylic paints. While making the most of the interesting details that are created by accident, the work is led to a single image as a purely visual phenomenon on canvas. I am developing this series with the aim of integrating the interest of the paintings whether viewed from a close-up or from a distance. This series has developed in various ways, but this work is the result of a renewed awareness of the artist's intent. The canvas is carefully pre-painted on both sides before being stretched on a temporary board. More than 20 layers of paint, including partial and solid, are applied to the screen side as a depiction. Then, the screen is built up by grinding with water-resistant sandpaper while applying water. The work is done on a temporary board, and after completion, it is cleaned and dried before being stretched on a wooden frame. Since the screen is ground out, it is smooth and can be wiped clean with a dish towel. One of the characteristics of a painting is to make full use of its "multi-layered magic. I found a way to do this in 1999, in line with my desire since the time I started to create. Since then, I have been pursuing the possibilities of painting with a consistent technique and matiere of "layering and grinding acrylic paints.