The Layers of Color series, begun in 2015, pursues paintings that are purely visual phenomena, where the figurative motifs are freed from their structure. This work is the first in 2023 and the 57th in the series as a whole. The concept of this series is that from a place with no clear theme, message, motif, or plan, the artist determines what he considers to be a finished painting (including its orientation) by layering and grinding acrylic paints. While this work follows this concept, it is characterized by a "sea-like" use of color. Since another work I was working on at the same time was semi-abstract, like a seaside landscape, some of the colors used in this work were also shared. However, since this work is an informal development, I proceeded with it as a purely visual phenomenon on canvas that was generated accidentally. The orientation of the screen was also decided at the end. After the canvas was carefully pre-painted on both the front and back sides, it was stretched on a temporary board. More than 20 layers of paint, including partial and solid, are applied to the screen side as a depiction. Then, the screen is built up by grinding with water-resistant sandpaper while applying water. The work is done on a temporary board, and after completion, it is cleaned and dried before being stretched on a wooden frame. Since the screen is ground out, it is smooth and can be wiped clean with a dish towel. One of the characteristics of a painting is to make full use of its "multilayered magic. I found a way to do this in 1999, in line with my desire since the time I started to create. Since then, I have been pursuing the possibilities of painting with a consistent technique and matiere of "layering and grinding acrylic paints.