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A Scene - Still Life with Fruit, Oysters and a Porcelain Bowl

A Scene - Still Life with Fruit, Oysters and a Porcelain Bowl

W 37.00cm x H 30.50cm x D 4.00cm

USD $3,001.18

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  • About this A Scene - Still Life with Fruit, Oysters and a Porcelain Bowl

    Detail

    Medium

    Film/ Video art

    Edition

    Limited Edition 5

    Year

    2023

    Sign

    Signed certificate

    Frame

    Framed

    Description

    This is one of the works from "A Scene," a series of still-life video clippings of minimal scenes from still-life paintings. Still life paintings of flowers were popular in Europe during the 17th and 18th centuries. This series uses real objects to reproduce a tiny scene that occurs in a small part or a corner of such still life paintings. In this work, the artist reproduces the strange and viscous water dripping from an oyster in the work of the same name, "Still Life with Fruit, Oysters and a Porcelain Bowl, Abraham Mignon, 1660 - 1679". The work reproduces the expression of viscous water dripping from an oyster. The work is a slow and continuous drop of viscous water falling from an oyster over a period of 30 minutes. _____ This is one of the works from the still life animation series "A Scene," in which minimal scenes from still life paintings are cut out. This series uses real objects to reproduce a tiny scene that occurs in a small part In this work, the artist uses his imagination to depict fast-moving objects in a time when there were no cameras or other photographic technology, such as the the still life paintings. In this work, the artist uses his imagination to depict fast-moving objects in a time when there were no cameras or other photographic technology, such as the strange dripping from oysters in the work of the same name, "Still Life with Fruit, Oysters and a Porcelain Bowl , Abraham Mignon, 1660 - 1679". In this work, highly viscous drops of water continue to fall slowly from the oyster for 30 minutes. In this work, highly viscous drops of water continue to fall slowly from the oyster for 30 minutes.

  • About this artist

    Concept

     Mami Kosemura is a contemporary artist who explores the confluence of painting, video, and photography through photography and animation, referencing classical European motifs and traditional subjects such as Japanese painting. Her early works revolved around video works that could be described as "still life paintings in motion," in which she used stop-motion techniques to record still life on a table over an extended period of time; the act of reproducing the simulated space depicted in a two-dimensional painting in three-dimensional real space and continuing to watch the changes in that space is a form of camera-assisted The act of reproducing a simulated space depicted in a two-dimensional painting in a three-dimensional real space, and then continuing to watch the changes, is what we might call "copying a painting. She then developed the experience she gained by copying the paintings into a video installation and a photographic work, and continued to ask the questions "What is painting? What is seeing? and "What is seeing? In recent years, she has been creating concise and sharp works with more diverse time expressions and structures, such as video works using slow-motion photography, photographic works that condense long-lasting phenomena into a single photograph, and picture scroll-type and sequentially numbered photographic works that fall between paintings and video works. By vividly recreating the false and idealized pictorial world of classical painting, Kosemura exposes the fragility of human assumptions and social conventions, and the dynamics of their disappearance reflect an aesthetic sense of impermanence. Mami Kosemura is a contemporary artist who uses photography and animation to explore the confluence of painting, video and photography, referring to classical European motifs and traditional subjects. Her early works revolved focused on video works that could be described as The act of reproducing the pseudo- The act of reproducing the pseudo- space depicted in a two-dimensional painting in a three-dimensional real space and continuously watch- ing its transformation is a kind of replication. Afterwards, she developed the experience she gained through those early experiments into a video installation and then photographic work. Then, she has developed her work to reflect her own perspective on the question, "What is painting? In recent years, she has produced a series of concise and perceptive works with a greater variety of time expression and form, including video works using superimposition. In recent years, she has produced a series of concise and perceptive works with a greater variety of time expression and form, including video works using super-slow-motion photography, photographic works that compress long duration phenomena into a single Her work exposes the fragility of human assumptions and social conceptions by vividly recreating the Furthermore, the dynamics of disappearance reflect an aesthetic sense of impermanence and the aesthetic sense of the world of classical painting. Furthermore, the dynamics of disappearance reflect an aesthetic sense of impermanence and imperfection.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

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    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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