This is one of a series of paintings in which he began to actively incorporate the figure of the human figure. It is also a self-portrait.
The "house" is completely dark, with no windows or doors, and represents his own closed and isolated situation. The immigrant desperately tries to find his place and connect, but it is as empty as online communication without a solid touch. In this work, small figures are actively trying to engage with the outside world by jumping in, walking, and standing on top of houses.