Peer through an aperture of space and time out from nebulaic layers to the vastness of space. Tiffani created the ZEALLA NEBULA in the spirit of wondrous space exploration unfolding in our time. The nebulae coming out the James Webb infrared telescope show what awaits us out there. In an infinite universe, there is a good chance a nebula very much like this one exists. As you move around in different lighting environments, you see new details of this painting breathe life into the experience in a holographic way that Tiffani layers resin.
Peer through an aperture of space and time out from nebulaic layers to the vastness of space. Tiffani created the ZEALLA NEBULA in the spirit of wondrous space exploration unfolding in our time. The nebulae coming out the James Webb infrared telescope show what awaits us out there. In an infinite universe, there is a good chance a nebula very much like this one exists. As you move around in different lighting environments, you see new details of this painting breathe life into the experience in a holographic way that Tiffani layers resin.
Size: 12″ x 36″
Sides: Oregon Poplar wood with Japanese style, “Shou Sugi Ban” effect*
Materials: UV-Resistant, eco-friendly tinted epoxy resin, multilayered for extraordinary depth
*Sides: Originating in 18th century Japan, shou sugi ban is a particularly striking method of preserving wood by charring it with fire. Tiffani captures the look of this ancient tradition by sanding and staining the sides charcoal and rubbing it in to the wood grain leaving a similar effect that robustly complements the otherworldly outreach of her nebula paintings.
Size: 12″ x 36″
Sides: Oregon Poplar wood with Japanese style, “Shou Sugi Ban” effect*
Materials: UV-Resistant, eco-friendly tinted epoxy resin, multilayered for extraordinary depth
*Sides: Originating in 18th century Japan, shou sugi ban is a particularly striking method of preserving wood by charring it with fire. Tiffani captures the look of this ancient tradition by sanding and staining the sides charcoal and rubbing it in to the wood grain leaving a similar effect that robustly complements the otherworldly outreach of her nebula paintings.
