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Kantfish

Kantfish

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Kantfish

Concept

Reality does not exist without an observer. Observing attentively is the first step to change things.

In my artworks the real landscape of photography transforms into an abstraction where the object becomes the subject. The usual gaze of photography turns into expression.

Shapes keep their na...
Reality does not exist without an observer. Observing attentively is the first step to change things.

In my artworks the real landscape of photography transforms into an abstraction where the object becomes the subject. The usual gaze of photography turns into expression.

Shapes keep their natural movement and colour balance. Knowledge is not limited to the surface, it penetrates the layers of reality proving that expression resides in the content. My artworks are open windows to other worlds, real or “more than real”.
I observe reality challenging and doubting everything, I question and seek what inspires me relevant reflections and thoughts.

I am interested in reconsidering the importance of details, the attentive relationship with nature, the human behavior in his environment. My images, in extreme freedom, are the result of photography combined with a personal digital technique.

My artworks are the fruit of documentary studies, of published report works, of nature related topics and creative researches. They offer a space for travel, for exploring and interpreting, for reconsidering. Represented in them there are everyday places from around the world, nature in its multiple senses, different views of intimate details, interpretations of unreal situations and sublime moments.
I seek divine beauty in the world, I seek consciousness, which is not an ornament, it is wisdom.

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Heisenberg’s Principle of Uncertainty proves that it is never possible to determine every aspect from just one single point of view. The possibility of discovering a new essence of reality or new possible avenues is always there. The new frontiers of quantum physics also fill us up with doubts, hopes and thoughts about our reality.

I am Italian and I cannot forget that it was in Italy that the Umanesimo was born in the XIV and XV centuries, and that still today this movement sheds its beneficial light on the world. “The aspiration to maximize human prosperity, health, freedom, happiness, knowledge, love, can be called humanism. It is humanism that indicates us what we should reach with our knowledge. It is this humanism, born in the Age of Reason, that led to the creation of the Universal Declaration of Human Rights in France, England and the US, regaining relevance after the Second World War favouring the birth of cooperation agencies”, as the psychologist Steven Pinker wrote.

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As an author, I believe in the Renaissance idea of a wide and cross vision of culture. My vision is humanistic, holistic, interpreting with the extent of the ὅλος, the totality, because reality is complex and one must understand the soul, the emotion hiding in it when you feel all of it, not just considering each one of its components. I am the reflection of what I learned under the sun, immersed in the sea accompanied by the singing of the Syrens of Ulysses, among the columns of the amphitheaters of the Magna Grecia, on the trains running to the North, in the intense colours of literature, even in the Pirandellian games of Sicily. I dive in every situation and I come out again.

With empathy, with understanding, with respect, I approach and await patiently, in a maieutic way, that the artwork is born. I believe in the instants of Ran Ortner, in those built by Jan Saudek, in the whites of Richard Avedon, in the compositions and colours by Franco Fontana, in the soft focus of Plossu Bernard, in the visual research of Michael Najjar. I refer to fashion aesthetics, trends, urban artists like Banksy, to the different narrative of Ryszard Kapuściński, to the audacity of Nobuyoshi Araki, to the alternative and novel formulas of Joe Sacco or Art Spiegelman that tell already known stories in a highly impacting manner or to the delirium of lost roads of David Lynch in the attention of Andréi Tarkovski.

I do all this to understand and evolve. To celebrate the fact that I am alive. To unite points, to narrate stories and be inspired. And to inspire a change.

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Find 23 original artworks & photographers by Kantfish. Check out Kantfish's profile, artwork prices, exhibition information, and buy art online.

Series

“Φρόνησις”

Φρόνησις recalls the importance of practical wisdom. Unreal landscapes show that there is always a reality that we do not know yet, where we can change our lives and progress to achieve new goals. A tribute to practical wisdom.

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Destiny

USD 1,674.00 Year.2013 w90.00 x h60.00 x d0.10 cm

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Light in the Dust

USD 1,965.00 Year.2013 w90.00 x h60.00 x d0.10 cm

2

New World

USD 2,000.00 Year.2013 w90.00 x h60.00 x d0.10 cm

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Desert Dance

USD 1,200.00 Year.2013 w100.00 x h30.00 x d0.10 cm

Series

“THE CONSCIOUSNESS AND THE POST-PRODUCTIVISM”

This series explores new discoveries & landscapes. Science reveals the multilayered truth of reality. Life is more complex. New life means new consciousness.

3

M-Metaverse

USD 1,998.00 Year.2022 w90.00 x h90.00 x d0.10 cm

2

Intimate

USD 1,800.00 Year.2013 w90.00 x h60.00 x d0.10 cm

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Perspective of a New Order

USD 3,250.00 Year.2020 w150.00 x h100.00 x d0.10 cm

Series

“THE MELODY OF COLOR”

Melodia is the visualization of the metaphor of rebirth. A study of colors, a game of harmonies, of open spaces, infinite, in a blinding sunlight that characterizes the entire series. After tough moments, life starts again immersed in the dream.

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Visualization of the Metaphor in a Melody of Colours I

USD 950.00 Year.2018 w60.00 x h40.00 x d0.10 cm

2

Visualización de la Metáfora en la Melodía del Color VI

USD 1,550.00 Year.2018 w90.00 x h60.00 x d0.10 cm

2

Disruptive Color

USD 2,600.00 Year.2020 w150.00 x h120.00 x d0.10 cm

Series

“JUST STAY CLOSE TO A TREE”

Trees represent balance in our lives. Spending time close to a tree can have positive effects. These artworks reflect this positive influence and encourage viewers to connect with their own nature, appreciating the benefit of being close to a tree.

2

Ivory

USD 2,052.00 Year.2018 w148.00 x h62.00 x d0.10 cm

2

Tree of Joy

USD 1,200.00 Year.2018 w90.00 x h60.00 x d0.10 cm

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CRISPR Tree

USD 950.00 Year.2020 w60.00 x h40.00 x d0.10 cm

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Powerful Sunset

USD 1,700.00 Year.2018 w90.00 x h60.00 x d0.10 cm

Series

“IDDU”

This series is a dream, an exploration of an ethereal landscape with forms reflecting the linear complexity of the human dimension. The images are inspired by Sicily, with the wise volcano Etna and the deep sea as a source of inspiration.

2

Dream

USD 1,300.00 Year.2016 w90.00 x h60.00 x d0.10 cm

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Paisaje

USD 950.00 Year.2016 w60.00 x h40.00 x d0.10 cm

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Tirreno

USD 950.00 Year.2016 w60.00 x h40.00 x d0.10 cm

Series

“MORE THAN REAL”

The Heisenberg uncertainty principle teaches that a single perspective cannot grasp all aspects of a situation. My photos offer windows into other worlds, letting us dream and discover new realities beyond rational perception.

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Movimiento Linear de Salida

USD 2,106.00 Year.2012 w90.00 x h60.00 x d0.10 cm

2

Nadir

USD 3,350.00 Year.2012 w150.00 x h100.00 x d0.10 cm

Series

“THE WAVES. THE SEA. THE DESERT.”

The wind as life shapes existence. A wise balance of nature to reconcile us with the most intimate. Sweet or twisted forms that mark an unrepeatable, unique, original moment.

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Delicate, Luxurious Symphony

USD 702.00 Year.2018 w40.00 x h26.00 x d0.10 cm

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Bianco

USD 1,600.00 Year.2020 w90.00 x h60.00 x d0.10 cm

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Deep Element No. 26

USD 1,775.00 Year.2020 w90.00 x h60.00 x d0.10 cm

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Skin Soul II

USD 1,600.00 Year.2018 w90.00 x h60.00 x d0.10 cm

Medium

Price Range

USD $702 ~ $3,350

Biography

Kantfish, Emanuele Giusto, is an Italian visual artist and multidisciplinary author who works with images, videos, films and writing.

His artworks have been selected at prestigious photography awards such as Finalist at the International Award of Plastic Art Obra Abierta Caja Extremadura (2012),...
Kantfish, Emanuele Giusto, is an Italian visual artist and multidisciplinary author who works with images, videos, films and writing.

His artworks have been selected at prestigious photography awards such as Finalist at the International Award of Plastic Art Obra Abierta Caja Extremadura (2012), or innovation ones like his curation for the digital art (NFT) exhibition at Guinovart Gallery in Barcelona (2022). His artworks have been exhibited and selected in renowned spaces like El Círculo de Bellas Artes in Madrid (2013), Madrid Design OFF Festival (2019) and he has been represented by agencies like Contacto, Associated Press, Notimex or the Galleries 4/d Arty or Galería Cero in Madrid, TRiCERA, SaatchiArt, Flecha, Vi-Art or LEG UP.

He has collaborated, directed and executed installations in collaborative art projects like the Asturian Paraisurural, where art meets nature and the rural world.

His images have been published by the main media in Italy, Spain, UK or USA, like L’Espresso, XL Semanal, El País Semanal, Rolling Stone, Il Messagero, Foreign Policy or Exame, among others.

Kantfish also explores other aspects of arts and communication. He has directed and produced videos, report and music videos, short movies like “ALMAmATER” or “Nobody Like Athens” and feature length films like the documentary “The Sweet Taste of Success”, selected in 27 international festivals and winner of 3 awards. His movie works have been screened at the National Gallery of Art (Bangalore, India), Hybrid Art Festival (Madrid), Film Festivals in Greece, UK, US and Spain, among others.

He's a published author by the renowned Italian publishing house Feltrinelli, where he published his investigation and essay about the social low-cost phenomenon with “The Tour of Europe with €30”. Also published by Grupo Planeta Lunwerg’s editorial, who published his images of Angola from the series "Fas West Luanda”,

He is a journalist accredited by the Official National Association of Italian Journalists since 2002.

He has had eclectic experiences in various continents, from Africa to Asia, as a reporter and director of editorial and international projects. He has worked with important social institutions like the UN FAO (World Water Day).

Kantfish mixes documentary elements, reports, with personal digital techniques and concepts of the modern pop culture with the aim of inspiring a reflection about that thin line between what we see and what it could be in reality, if we did have another perspective. His images express a positive vision of a metaphorical reality.

He holds a MS in Law (University of Superior Studies in Perugia, Italy), an International Master in Artistic and Documentary Photography in EFTI School in Madrid (Spain), and many other diplomas that complete his education.

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Awards

2012 Finalist at International Prize for Plastic Arts Obra Abierta, Spain. Artwork "Movimiento Linear de Salida"
2008 Finalist Roberto Villagraz Award (Spain). Report image series "Cinematographic Vision of Malawi"
2022 3 Awards in Film Festivals for his two short movies and one feature-length documentary

Group Exhibitions

2022 Guinovart Gallery Barcelona (Spain), with his digital NFT artwork "RocketShip"
2021 Artist Experience Madrid (Spain), with various artworks represented by Gallery LEG UP
2021 NFTsArt by Arte Informado (web), with his digital NFT artwork "Metropolis"
2016 Paraisurural Asturias (Spain), art installation of "Ustica - Another Dimension on the Island of Homero"
2015 National Gallery of Art, Bangalore (India), screening of Art Video "Water Tanzania"
2013 Círculo de Bellas Artes Madrid (Spain), with artwork "Sibila" in the exhibition "Europolis Exhibition"
2013 Galería Cero Madrid (Spain), with artwork "New World"
2012 4/d Arty Madrid (Spain), with artwork "Nadir"
2009 Art Center Madrid Alcorcón (Spain), with artwork "Nocturno"

Solo Exhibitions

2019 Madrid Design Festival OFF (Spain), with the exhibition "Travels by Kantfish"

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