The composition itself is a labyrinth of interwoven shapes and lines, with indications of abstract figures and symbols that evoke the spontaneous work of graffiti. Patterns reminiscent of faces or creatures are sketched in an almost childlike style, recalling cave drawings in their simplicity and immediacy. Brushstrokes and splashes of paint are applied with an intention that seems both deliberate and impulsively free, emphasizing raw emotion and movement. This style of painting suggests that the artist worked quickly, perhaps guided by the emotion of the moment, allowing the paint to capture and communicate a sense of raw energy and instinct. In short, the canvas is a testament to the power of color and form, used not to depict reality figuratively, but to express an inner reality that resonates emotionally with the observer. It's a piece less concerned with the faithful representation of the external world and more committed to translating the artist's subjective experience into a universal visual language.
