In this work, the artist attempts to observe the world "from the computer's side" by composing a painting of an inverted "syslog," which is a trace of the system's operation. Incidentally, this syslog was created when the installation work "Cappellini 1" was in operation. The "Cappellini No. 1," which has the aspect of an online painting, and this work, which is a real painting, form a counterpart.