This work was created with the hope that the viewer will "enjoy the unique pleasures of painting" while utilizing the structure of the landscape. I gave it this title because I hoped that the geometric rhythm of the composition of the stone staircase landscape combined with the unique matiere of the technique would give viewers a sense of "time itself. Not only this work, but Fujimoto's landscapes depict various scenes, and I would be happy if they function as a "vehicle" for the viewer to carry his or her own thoughts and inspiration. How to drive? It is up to the viewer to decide where he or she wants to go. I would be happy if you could take any excursion you like in your mind, transcending the various barriers that exist in time, space, and the real world. The work, like all of Fujimoto's works, is created using a technique consisting of layers of acrylic paint and grinding with sandpaper. It has an inherent smooth matiere and unique coloring. The plywood panels used for the support are double-sided on the front and back, and the entire surface, including the sides, are coated with a ground coating to increase durability against changes in humidity. Slits on the back side are ventilation ducts, but pins or hooks can also be hung during installation. The screen and sides can be wiped clean, making it easy to keep the work in good condition. The "multi-layered magic" characteristic of the painting should be fully utilized. A scene that can only exist with paint on a support. I found a technique in 1999 that met my desire from the time I started to create. Since then, I have been pursuing the possibilities of painting using my technique as a tool.