The Layers of Color series, begun in 2015, pursues paintings that are purely visual phenomena, where the figurative motifs are freed from their structure. This work is the fourth in 2022 and the 56th in the series as a whole. The basic technique of this series is to start from the beginning with no clear theme, message, motif, or plan, and then to determine the picture that is considered complete (including its orientation) by layering and grinding acrylic paints. In this work, I only had a plan to use yellow, which is closer to orange, as the main color, and I composed the layers by accumulating paints based on improvisational decisions. While taking advantage of the interesting details that were accidentally created while chipping away at the canvas, I led the work to a single image as a purely visual phenomenon on the canvas. The orientation of the screen was not fixed, but was decided at the end of the process. The canvas was pre-papered with careful ground coats on both the front and back sides, and then stretched over a temporary board. More than 20 layers of paint were applied to the screen side, including partial and solid layers, as a depiction. Then, the screen is built up by grinding with water-resistant sandpaper while applying water. The work is done on a temporary board, and after completion, it is cleaned and dried before being stretched on a wooden frame. Since the screen is ground out, it is smooth and can be wiped clean with a dish towel. One of the characteristics of a painting is to make full use of its "multi-layered magic. I found a way to do this in 1999, in line with my desire since the time I started to create. Since then, I have been pursuing the possibilities of painting with a consistent technique and matiere of "layering and grinding acrylic paints.