Salva Nebot

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Concept

Due to his ancestry and pictorial training, in his work he tries to unify pictorial resources such as glaze, texture, chiaroscuro with photography and the technical means to develop it, creating a work that integrates these resources to define his personal plastic discourse. , combining the plasticity of painting with the photographic technique. Use photography as a means of plastic expression, avoiding the concept conventional and documentary of the same, to seek a visual abstraction of the photographed element, the use of macros and frames that express an abstract concept. He has wanted to dialogue, in parallel, both with the referential meaning and with the signifier, loaded with strong plasticity, in all cases, of each of the works. Making, if possible, more emphasis, consciously, on the second objective indicated than on the first. As always, in his photographic works, direct experimentation has continued, even now, to the surface, expressly relating some images to others. Theirs are strategically never islands. Its purpose, when capturing the images, is to always trace a connection point with other images, so that there is an interaction between them, looking for an internal continuity / contrast in the lines, shapes, textures and / or images. composition structures, postulating that they are not independent images, joined without more, but that there is a true dialogue between all of them. Rather, it seeks the empowerment of a certain subjectivity projected onto the world around us. Along these lines, he postulates an inner vision, subjectively describing emotions, looking for the underlying substratum, under the apparent reality. Quoting Kasimir Edschmid, he would affirm that: "The world is there and it would be absurd to reproduce it as it is." In fact, in his long professional career, thanks to persistent photographic research, he has managed to harmonize - based on his usual technical and aesthetic resources - the visual impact with the poetic charge, the strength of the expression and / or the possible weight coexisting dramatic image, usually charged with strong contrasts. But always looking, if possible, for expressiveness, to the maximum. To do this, he has promoted, in parallel, a whole series of diversified halos of indeterminacy, games of light and shadow, suggestions, counterpoints and mystery, resulting in patterns, which, by the way, generally invade most of the compositions. of the always updated Salva Nebot itinerary. Above all, it has succeeded - let us reiterate, opportunely - thanks to the studied strategies of the genuine power of shadows and their associated light contrasts. In this way, the most enhanced means, in their investigative work, have been chromatic asceticism, the constant implementation of the textures of their supports, narrative fragmentation and the preponderance of expressive games.

Concept

Due to his ancestry and pictorial training, in his work he tries to unify pictorial resources such as glaze, texture, chiaroscuro with photography and the technical means to develop it, creating a work that integrates these resources to define his personal plastic discourse. , combining the plasticity of painting with the photographic technique.
Use photography as a means of plastic expression, avoiding the concept conventional and documentary of the same, to seek a visual abstraction of the photographed element, the use of macros and frames that express an abstract concept.

He has wanted to dialogue, in parallel, both with the referential meaning and with the signifier, loaded with strong plasticity, in all cases, of each of the works. Making, if possible, more emphasis, consciously, on the second objective indicated than on the first. As always, in his photographic works, direct experimentation has continued, even now, to the surface, expressly relating some images to others. Theirs are strategically never islands.

Its purpose, when capturing the images, is to always trace a connection point with other images, so that there is an interaction between them, looking for an internal continuity / contrast in the lines, shapes, textures and / or images. composition structures, postulating that they are not independent images, joined without more, but that there is a true dialogue between all of them.

Rather, it seeks the empowerment of a certain subjectivity projected onto the world around us. Along these lines, he postulates an inner vision, subjectively describing emotions, looking for the underlying substratum, under the apparent reality. Quoting Kasimir Edschmid, he would affirm that: "The world is there and it would be absurd to reproduce it as it is."
In fact, in his long professional career, thanks to persistent photographic research, he has managed to harmonize - based on his usual technical and aesthetic resources - the visual impact with the poetic charge, the strength of the expression and / or the possible weight coexisting dramatic image, usually charged with strong contrasts. But always looking, if possible, for expressiveness, to the maximum.

To do this, he has promoted, in parallel, a whole series of diversified halos of indeterminacy, games of light and shadow, suggestions, counterpoints and mystery, resulting in patterns, which, by the way, generally invade most of the compositions. of the always updated Salva Nebot itinerary.

Above all, it has succeeded - let us reiterate, opportunely - thanks to the studied strategies of the genuine power of shadows and their associated light contrasts. In this way, the most enhanced means, in their investigative work, have been chromatic asceticism, the constant implementation of the textures of their supports, narrative fragmentation and the preponderance of expressive games.

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Find 20 original artworks & mixed-media-artists by Salva Nebot. Check out Salva Nebot's profile, artwork prices, exhibition information, and buy art online.

“Salva Nebot's Artworks”

The secrets of the earth

USD 400.00 Year.2022 w55.00 x h65.00 x d0.15 cm

The mirror of vanities

USD 972.00 Year.2021 w60.00 x h70.00 x d0.15 cm

Black on white

USD 972.00 Year.2021 w62.00 x h62.00 x d0.16 cm

Today is not tomorrow

USD 918.00 Year.2021 w70.00 x h80.00 x d0.15 cm

Space 12

USD 2,210.00 Year.2022 w70.00 x h100.00 x d1.00 cm

Temptations

USD 2,210.00 Year.2022 w70.00 x h100.00 x d1.00 cm

Chevalet Et Cheval

USD 3,770.00 Year.2022 w100.00 x h135.00 x d1.00 cm

La Femme Du Lac

USD 5,450.00 Year.2022 w110.00 x h150.00 x d1.00 cm

Enlaces 3

USD 2,710.00 Year.2022 w90.00 x h120.00 x d1.00 cm

Enlaces 2

USD 2,710.00 Year.2022 w90.00 x h120.00 x d1.00 cm

Links 1

USD 2,710.00 Year.2022 w90.00 x h120.00 x d1.00 cm

Temporary shelter

USD 1,600.00 Year.2022 w60.00 x h81.00 x d4.00 cm

Those who only like flowers

USD 1,200.00 Year.2022 w50.00 x h50.00 x d4.00 cm

Field of dreams

USD 1,080.00 Year.2022 w60.00 x h60.00 x d4.00 cm

Two seasons

USD 1,000.00 Year.2022 w50.00 x h50.00 x d4.00 cm

The art of life

USD 1,500.00 Year.2022 w51.00 x h62.00 x d0.20 cm

White string

USD 1,782.00 Year.2022 w60.00 x h80.00 x d0.20 cm

Inside II

USD 972.00 Year.2021 w60.00 x h75.00 x d0.15 cm

The light of darkness

USD 1,728.00 Year.2021 w84.00 x h67.00 x d3.00 cm

The wait II

USD 702.00 Year.2021 w55.00 x h62.00 x d0.15 cm

Medium

#Painting

#Art Prints/ Multiples/ Digital

Price Range

USD $400 ~ $5,450

Biography

SALVA NEBOT

1961, Onda, Castellón.

Training

1983-90 Graduated in Fine Arts from the Faculty of San Carlos, Polytechnic University of Valencia. Painting Specialty.

Exhibitions

2021 - SWISSARTEXPO. ARTBOX. PROJECT Zurich 4.0. Zurich. Suiza.
- Certificate of Artistic Merit awarded by La Pinacothèque, Luxembrug Art Price. Luxembourg.
- RODALIES 2. 100 photographers since the COVID-19 lockdown. Railowsky Foundation. Valencia
2020 - Artist selected in the Combat Prize 2020, Museo Cívico Giovanni Fattori. Livorno, Italy.
- ARTINSOLITE Edition 2020, Theater of Silence. Project #DISTANZAZERO
Lajático, Toscana. Italy.
2019 - FRAC-MENTOS, XVI Edition IMAGINARIA 2019 Photography in Spring. UJI. DC Melchor Zapata, Benicasim. Castellón.
2018 - Exhibition "The Looks of Desire". Alacuás Castle, Alacuás. Valencia.
- FRAGMENTS OF ABSENCE II, C.C. Mario Monreal, Sagunto, Valencia.
- COLLECTIVE BRUSHES, Tapinearte, February 18, Valencia.
2017 - XIV IMAGINARY Edition. Photography in Spring 2017. Castellón
- FRAGMENTS OF ABSENCE. Llotja del Cánem. Headquarters of the City. Jaume I. Castellón University.
2016 - ANONYMOUS. San Antonio de Benagéber Foundation. Espai Rambleta. Valencia
- DE LA TERRE AU VIN. Galerie Selective Art. Paris. France.
2015 - POSQUINS YOU. Posquins exhibition. Trentatres Gallery. Valencia.
- CIUTAT VELLA OBERTA. Valençiá de les Arts Festival. MUVIM, Valencia.
- MARTE International Contemporary Art Fair, Stand FUNDACIÓN INSPIRARTE. Castellón.
- SCHLACHTEN Contemporary Art Festival. DISPLACED 2015. Luckenwalde.
Germany.
- Guest artist at INCUBARTE 7 International Art Festival. Valencia.
2014 - First Prize "Environment" in the 1st International Photography Contest on Human Rights 10.12.48. Valencia.
- Collective exhibition Espacio Niu, PHOTORAIN, Barcelona.
- 2ème BIENNALE INTERNATIONALE DE L’ART CONTEMPORAIN DE CASABLANCA. Casablanca. Morocco.
- Second Prize, in the PHOTORAIN International Competition, Blipoint. Barcelona.
- Exhibition "Two men and a destination" Café Malvarrosa, Espai Paral.lel. Valencia.
- Awarded Prize by the INSPIRARTE FOUNDATION, for the Artists' Residence in Ifitry, Morocco.
2013 - International Collective Exhibition "Metros de Creatividad". UPV Central Library. Valencia.
- ESPOSIZIONE COLLETIVA INTERNAZIONALE “Metros de Creatividad”. Rome. Italy.
- Collective Exhibition "Dialogues of the Body", Oscar Vazquez Gallery Studio, Valencia.
- Exhibition "For whom your heart beats" Kessler-Battaglia Gallery, Foundation for Human Rights 10.12.48.
- OPEN VIEWS OF ART. Valencia.
- CIUTAT VELLA OBERTA. Festival Valenciá de les Arts. NOVEMBER 2013.
2012 - Selected to represent the INSPIRATION Collection by Agefotostock at an international level. "Observing the silence. Images from the Inspiration Collection ”. Agefotostock. Barcelona.
2010 - First Prize, Photography Contest, "12x7 H2O", NUZART.COM.
- First Prize, GRAND FINAL of the “12x7” H2O ”contest, NUZART.COM, (call among the winners of the different calls).
1989 - Individual exhibition, Gallery 27, Valencia.
- Seminar "Computer Image Design", Department of Painting, Faculty of BB.AA., Valencia.
- Selected by the Faculty of BB.AA. From Valencia for the 1st National Exhibition of the Faculties of BB.AA. From Spain, La Laguna, Canary Islands.
- Collective Exhibition, Ateneo Marítimo, Valencia.
1988 - Individual exhibition, El Plá Social House, Onda, Castellón.
- Collective exhibition "4th of BB.AA.", Polytechnic University, Valencia.
- Individual exhibition, Casa de Cultura de Rocafort, Valencia.
- Collective Exhibition, Esperanzas Award, organized by the Valencia Fine Arts Circle.

Publications

2021 VALENCIAN ART ARCHIVE. "The photographic trajectory of Salva Nebot and the emergence of the portrait in his visual investigations". Roman de la Calle. Royal Academy of Fine Arts of San Carlos. Valencia.
2018 Worship space. Las Provincias newspaper. Valencia. 11/11/2018.
2017 Catalog XIV Imaginary Edition, photography in Spring 2017. Castellón.
2015 SCHLACHTEN Catalog, Contemporary Arts Festival, Displaced 2015. Germany.
Catalog I PÓSQUINS YOU. Trentatres Gallery. Valencia. 2015.
2014 Catalog 2ème BIENNALE INTERNATIONALE DE LÁRT CONTEMPORAIN DE CASABLANCA, Casablanca. Morocco. 2014
Collective brushstrokes catalog. Imprevisual Gallery. Valencia. 2104
Box-Catalog, edited by Café Malvarrosa, Espai Paral.lel, on the occasion of the Exhibition “Two men and one destination”.
2013 Magazine 138AC, number ZERO.
Mambo photography magazine. Two series published, “Lux et Véritas” and “London Weekend”.
2012 New York Times. Publication in "European Artisians online at Envilife".

Texts
Wences Rambla, "The image ends in a sculptural object". Text on the Exhibition FRACMENTOS, C. C. Melchor Zapata, Benicassim, Castellón. 5/21/2019.
Román de la Calle, “Salva Nebot and els seus fragments d'absència”. Text for the exhibition Catalog. 1-2-2018.
Juan Peiró, "The power of the shadows", Postscript, Diario Levante, Valencia. 2-18-2017.
Román de la Calle, "Salva Nebot & his Fragments of Absence". Text for the exhibition Catalog. 1-24-2017.
Eric Gras, “Salva Nebot: M’allunyo of the most purist photography”. Supplement Cultural Quaderns, Mediterranean newspaper.
Joan Josep Soler, “Salva Nebot” in the Llotja del Cánem in Castellón, Los Ojos de Hipatía.
Joan Mestre, "The uprooting and absence", Levante-Castellón newspaper.
Román de la Calle, "Reunions with d’apres: dialogues between Álvaro Nebot & Ximo Amigó." “Two men and one destination”. Valencia, March 2014.
Rosa Ulpiano, “Amigó / Álvaro - Tributes”. Levante Newspaper, Postscript, Valencia. 5-9-2014.
Carlos Aimeur, "Amigó and Álvaro worship the female body in a joint exhibition" .. Culturplaza, Valenciaplaza, Valencia. 4-4-2014.
Bárbara Bacconi, ArteOpenViews Catalog 2014 # 1 VALENCIA. 3-3-2014.

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