Suelynee Ho

《Something about individual》
The environment in which I grew up make me a sense lonely since I was a child, but I just know I’m not alone.
As a human being, to experience the ups and downs of life and then to cultivate into a kind person.
My artworks comes from my own life experience and unders...

《Something about individual》
The environment in which I grew up make me a sense lonely since I was a child, but I just know I’m not alone.
As a human being, to experience the ups and downs of life and then to cultivate into a kind person.
My artworks comes from my own life experience and understanding.
It can be said that they are my diary and emotional export.

In most works, I am my own photographer and the model.
Since 2008 I created my Self-Portraits at my rental room alone.
Include setting everything without partner.
And in extending my emotions layer by layer, I finally have a sense of security.
They are so closely connected with me.

《How do I think about my body art?》
From the perspective of the law of conservation of mass and energy, loss and gain are essentially the same.
I use my body as a neutral material in my work, it can represent any story or object feeling I want to tell.
It depends on the current state, and everything is constantly changing and will eventually return to its natural way. ”
And every detail explains in detail the meaning and necessity of independent existence.

《關於個人的事情》
充滿暴力和不安的成長環境讓自己從小就有一種孤獨感。
做為人類經歷生命起伏後最終希望自己能修練成良善的存在。
所以我在藝術創作裡省思也感受層層體悟後的變化。
可以說他們是我的日記也是情緒的出口。

在多數作品裡，我是自己的攝影師同時也是被拍攝的人。
真正開始影像創作是2008年。在自己租來的房間裡獨自創作。
而在一層一層地延伸自己的情感裡，終於有了安全感。
他們與我如此緊密地聯繫在一起。

《我如何看待我的人體藝術？》
以質能守恆定律來看，失去與獲得本質上是相通的。
在作品中自己的身體是中性素材，可以代表任何我想說的故事或物件感受。
取決於現階段的狀態，而一切都在不斷變化也最終會恢復到其自然的方式。
而每個細節都詳細說明了獨立存在的意義和必要性。