For me, creating a work is not about transferring an image that I have in my mind beforehand to the screen. When I work, I try to let go of any premeditation or intention, just as if I were taking off my clothes in the dressing room. I want to avoid "artifice," and I want to be in a state where I do not know what will appear. In reality, most of the time it doesn't work, but there are moments filled with excitement when "something invisible but certainly there" is generated autonomously, like "an MRI imaging of the pulsating, ever-changing spinal cord of the world. The experience of being overwhelmed and surprised by the appearance of this "something invisible but certainly there" is the driving force behind the production. The actual production process is a combination of "uncontrollable coincidences (blotting of paper, flow and mixing of paints due to gravity, changes in texture due to chemical reactions, etc.)," "selected materials and tools (paper-covered panels, mediums, acrylic paints, inks, rollers, etc.)," and "physical actions" that affect each other, This activity encourages the spontaneous and autonomous generation of images.
