The canvas is no longer a flat surface but a three-dimensional one: tensions and folds which, like canyons, bring us back to the geological origin of Italy itself; tensions at the limit, volcanic, such as Stromboli, Vesuvius or Etna, ready for a tectonic fracture, a living force that wants to get out of the picture; thick channels that generate light through the shadows positioning themselves from different points of view and, depending on whether the light is diffused or sparse, changes the perception of the viewer and the audience enters the picture; which outlining a continuous movement, tries to escape from static nature of the material to return to the experience of video movement, of the red Ferrari movement; tensions on canvas as video grids or a geological painting of the mind.
