Americo Venancio Lopes Machado Filho

Historical linguist, professor at the federal higher education level, he has focused on aspects of artistic creation, whether through writing, or through the register of color, or through the practice of music. Since he was a young man dedicated to the arts, he has cultivated, besides painting, a ta...

Historical linguist, professor at the federal higher education level, he has focused on aspects of artistic creation, whether through writing, or through the register of color, or through the practice of music. Since he was a young man dedicated to the arts, he has cultivated, besides painting, a taste for the guitar and the piano, as well as for singing. When he was young, he had the opportunity to eventually accompany some artists of the time in their creative work, especially when they did it outdoors. Today, he sees painting as an ontological necessity. He dedicates himself to his work with the pleasure that should drive any human activity, without which nothing would make sense. Some of his paintings have been acquired by people abroad, notably from Japan. His tendency is toward impressionism, although with a certain technical freedom, and no definitive labeling is possible.