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Maroka

Maroka

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Maroka

Concept

Maroka, still does not have a completely cataloged style because it goes through different facets. At the moment, for example, it is in a facet in which I am once again enjoying the more analogical processes. Maroka creates her work bordering on the pop style, since she uses a lot of saturated and c...
Maroka, still does not have a completely cataloged style because it goes through different facets. At the moment, for example, it is in a facet in which I am once again enjoying the more analogical processes. Maroka creates her work bordering on the pop style, since she uses a lot of saturated and cheerful palettes. He works both digitally and manually and always with textures. In any case, there is no closed style. The illustrations are complex, but at the same time they have a certain surreal and dynamic air.

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Find 4 original artworks & others by Maroka. Check out Maroka's profile, artwork prices, exhibition information, and buy art online.

“Maroka's Artworks”

0

When time stopped

USD 800.00 Year.2022 w21.00 x h21.00 x d0.10 cm

2

Camaleón

USD 500.00 Year.2021 w28.00 x h28.00 x d0.00 cm

2

Desayuno

USD 95.00 Year.2021 w10.50 x h10.50 x d0.00 cm

2

Walking around

USD 95.00 Year.2021 w10.50 x h10.50 x d0.00 cm

Medium

Price Range

USD $95 ~ $800

Biography

I was born in 1989 in Buenos Aires, Argentina. In 2009 I began my studies as a teacher of visual arts and design at the Carlos Morel School of Fine Arts, in my hometown. At the School of Fine Arts I participated in some artistic movements: calls for mail art by Samuel Montalvetti; and on ATC artist...
I was born in 1989 in Buenos Aires, Argentina. In 2009 I began my studies as a teacher of visual arts and design at the Carlos Morel School of Fine Arts, in my hometown. At the School of Fine Arts I participated in some artistic movements: calls for mail art by Samuel Montalvetti; and on ATC artist cards. In these spaces different artists, mostly Argentine, exchanged edited and illustrated thematic postcards. That same year I decided to leave the school of fine arts to enter the University of Design and Urbanism (FADU-UBA). There I decided to study Graphic Design; Labor field in which I eventually work. The first illustration works began with purely digital and hyper-realistic drawings with different applications, for companies and also for smaller clients. At the same time, I was developing a more personal style, training as an illustrator in different workshops and with the aim of improving my style. I participated in collaborative projects with R. Zinn inside and outside the university environment. Currently I dedicate myself to photography in my free time and I also dedicate myself to other areas of art.

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