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Orioye Bukola

Bukola Orioye

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Orioye Bukola(Bukola Orioye)

Concept

Documenting the emotions and questioning the future through the past and present is the drive. likewise freedom to explore in colors is all. Painting on textured canvas allows imprint of black origin on all the piece without be covered up which is unique to my piece.
Documenting the emotions and questioning the future through the past and present is the drive. likewise freedom to explore in colors is all. Painting on textured canvas allows imprint of black origin on all the piece without be covered up which is unique to my piece.

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Medium

Biography

Orioye Bukola Samue is a multidisciplinary artist born and raised in the city of osogbo osun state though he hails from Ido-Osi Ekiti state in Nigeria. Finding voice to study or pursue career in art was quite a challenge for him growing up due to parental factor and believe as regards artist to be i...
Orioye Bukola Samue is a multidisciplinary artist born and raised in the city of osogbo osun state though he hails from Ido-Osi Ekiti state in Nigeria. Finding voice to study or pursue career in art was quite a challenge for him growing up due to parental factor and believe as regards artist to be idol worshiper. Not until after his first degree in chemistry at University of Ilorin and youth service in the northern part of the country. He planned to pursue a master's degree in chemistry at University of ibadan. Where his passion found a way through and had to drop masters programme to pursue his love for art under the tutlage of Mr Tope Fatunmbi at Topfat Art Gallery at Adamasingba Ibadan. Having been raised by a disciplinarian, he's experience growing up finding it uneasy to lend his out on what he personally want is a major influence on his works and as well. He finds inspiration in daily life of an African child. He express his art majorly in acrylic, oil and isotextura while acrylic being his most preferred medium. After his apprenticeship. He return to osogbo where he physically run Orb Art Gallery. .

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